INTERESTED STUDENTS: The class will
be mostly learning “who what when where” as listed below in the WHAT STUDENTS
SHOULD LEARN: 1) all terms will be explained in class and/or in the Study
Guide; 2) If we do not cover it in class, or it is not in the Study Guide, you
will not be tested over it; 3) most, if not all, terms will appear in the powerpoint presentations that I present in class and that
you can access through blackboard.
ENGLISH
3302.01R//
Survey of
English/British Literature, Pt. 2
1789-Present
Fall 2023
Instructor: Dr. Clay Daniel
Office: 233 ELABS; e-mail:
clay.daniel@utrgv.edu (best way to contact me) Internet Site:
faculty.utrgv.edu/clay.daniel
Class 6:30 pm – 7:45pm
Office Hours: TR 2;30-3:30; 5-6:00;
8:00-8:30PM
I.Course
Description: UTRGV
Catalog: ENG 3302 A chronological study of the principal
authors, works, and trends in English literature from pre-Romantic poetry to
the Twentieth Century. Area(s): Survey. Prerequisites: 6 hours of English. 3.000 Credit hours 3.000 Lecture hours
II. Course Policies: All course
policies are subject to change to accord with university policies.
1.
Attendance: No attendance required except for exams. For those attending,
follow all university covid-requirements (masks, social distancing, stay home
if sick etc.) Course support provided through BB and my internet site.
2. You can provide suggestions or
questions to me throughout the semester in person, during conferences, or by
posting comments (anonymous allowed) through Blackboard/Class Forum.
3.
Be aware of current university policies on drops and changes-of-grade. Be
particularly aware that you are responsible for having the course dropped by
the appropriate date.
4.
Post-Course Policy: The material taught in this course is covered by a kind of
informal "warranty." If you pass this course with a "C" or
better, please feel to ask me any questions---throughout your academic
career---on any material covered in this course---especially material whose
lack of understanding interferes with your doing well in other classes.
5.
University policies concerning cheating/plagiarism will be enforced. These
penalties are severe, and you should be aware of them:
CODE OF
ACADEMIC INTEGRITY
v The first confirmed violation of
academic dishonesty (as defined in HOP section 5.5.2) by an undergraduate
student will result in the following action:
Ø The
recommended penalty will be an F for the course and completion of an
educational program on academic integrity.
If the matter is taken to a hearing officer, the academic penalty
imposed will consider any recommendation of the faculty member involved.
Ø The
student will be informed that a second violation may result in suspension or
expulsion.
Ø A
copy of the sanction letter will be forwarded to the student’s academic chair.
v The second confirmed violation of
academic integrity by an undergraduate student (or first by a graduate student)
will result in the following action:
Ø The
recommended penalty will be an F for the course and suspension or expulsion. If
the matter is taken to a hearing officer, the academic penalty imposed will
take into consideration any recommendation of the faculty member involved.
Ø If
expelled, the student’s transcript will contain the notation, “Expelled for
Academic Misconduct,” along with the applicable date.
Ø A
copy of the sanction letter will be sent to appropriate academic officials.
Also be aware of “the Bronc Honor
Code: As members of a community dedicated to honesty, integrity, and mutual
respect in all interactions and relationships the students, faculty and
administration of our university pledge to abide by the principles in The Bronc
Honor Code.”
6. Students with disabilities are
encouraged to contact the Disability Services office for a confidential
discussion of their individual needs for academic accommodation. It is the
policy of the University of Texas-Pan American to provide flexible and
individualized accommodation to students with documented disabilities that may
affect their ability to fully participate in course activities or to meet course
requirements. To receive accommodation services, students must be registered
with the Disability Services office.
7. Email me. If you must call (not a
good idea), see me and I’ll give you a number.
8. If you email me, either with
questions or material, expect an answer within 48 hrs., except on weekends. If
I don’t respond, I didn’t receive it.
9.
Often the class, at the beginning of the semester, changes to a different
classroom. Since it takes time officially to process this change, the change
might not appear on the Assist system. If you can’t find the classroom
(students almost always have), contact me (or the department).
10. Test procedures: 1. Put cell phones completely away during exams; a
visible cell phone means an automatic 50 on the exam. 2) Unless you have a
disability or medical reason (or other very good reason), remain within the
classroom during testing.
III Texts:
A.The Norton Anthology of English
Literature: Volume 2. IMPORTANT: Be sure to get the right
anthology; there are several versions of The
Norton Anthology with a similar name. But you can use earlier editions (I
do), which are much cheaper and usually can be found easily over the internet.
Also, all of the works are on the internet or in the library.
B. Course study guide: this guide
includes the notes that I use to deliver class lectures. It is available on my
internet site.
C. Blackboard/Learn
1).
You do not have to use this free Internet/
2).
Some of its course-enhancements are extra credit quizzes, extra credit essay
assignments, an electronic forum, and an up-to-date calendar, and a listing of
your grades (optional).
IV. Course Requirements: Your grade
will be determined as follows:
A) Quizzes: 10%
B) An essay: 10%
C) 4 major tests, including
comprehensive final: 20% each
D) Blackboard Extra Credit Assignments
E) Extra Credit Report: up to 10pts
added to a test grade.
A). Quizzes: Online, answers
given. All Blackboard and Extra Credit work is due three weeks before the last
class day (excluding the day of the final exam).
B). Essay: One 700 word essay
i. The essay will be written out‑of‑class during the semester.
ii. Use at least three
secondary/critical sources for each paper.
iii.
See Essay Assignment link for further details.
C). Major Exams
i.Exams
will consist of 40 to 100 short answer/true-false/multiple
choice/identification/matching questions, with one or two discussion questions.
The final is comprehensive.
ii. The material that you will be
tested over is listed below as COURSE GOALS (and also listed in the study
guide).
D). Blackboard: All work due three
weeks before the last class day (excluding the day of the final exam). There is
a 30 point total limit for all extra credit:
i.
Extra Credit Quizzes: The computer gives you the answer when it grades the
quiz, so take the quiz, get the answer, take the quiz again, and make a 100.
This will replace an in-class quiz grade. If you missed the in-class quiz, I’ll
take the average of the two attempts (rather than the second attempt).
ii.
Advanced Study Questions are difficult, often covering material that is not
covered in class or that occurs in assigned readings (but comes from
non-assigned readings in the textbook). The computer will not give you the
answer for most of these questions. One-half point for each question. Print
them (the questions-answers) or give me a hand-written copy of the answers.
ii.
Advanced essay assignments: These assignments are more difficult than the
regular essay assignments. You can earn anywhere from 1 to 5 points, depending
on the quality of the essay. The requirements for this essay are the same as
for the required essays.
V. SPECI
PERIOD ONE: ROMANTICISM (1798‑1832)
What students should learn during
the study of this period:
1.
The following authors and their major works:
A. William Blake |
B. S T Coleridge |
C. Robert Burns |
D. Lord Byron |
E. William Wordsworth |
F. Percy Shelley |
G. John Keats |
H. Sir Walter Scott |
I. Charles Lamb |
J. William Hazlitt |
K. Jane Austen |
L. Robert Southey |
M. Thomas DeQuincy |
N. Mary Shelley |
O. Leigh Hunt |
2. These literary terms and devices:
A. Romanticism (characteristics) |
B. Byronic hero/anti-hero |
C. The Lake School |
D. Wordsworth's definition of
poetry |
E. The Satanic School |
F. Pantheism |
G. The Cockney School |
H. Regency |
I. Jacobin |
J. Industrial Revolution |
K. Natural Supernaturalism. |
L. Blank verse |
PERIOD
TWO: VICTORIANISM (1832‑1914)
What students should learn during the study of this period:
1.
The following authors and their major works:
1.Thomas
Carlyle |
2.
Thomas Arnold |
3.
Charles Dickens |
4.
John Henry Newman |
5.
Thomas Hardy |
6.
Matthew Arnold |
7.
The Brontës |
8.
John Ruskin |
9.
Oscar Wilde |
10.
Jeremy Bentham |
11.
Charles Darwin |
12.
Thomas Huxley |
13.
Alfred Tennyson |
14.Robert
Browning |
15.Matthew
Arnold |
16.John
Stuart Mill |
17.Samuel
Smiles |
18.Benjamin
Disraeli |
19.Walter
Pater |
20.R
L Stevenson |
21.Rudyard
Kipling |
22.W.E.
Henley |
23.
Gilbert and Sullivan |
24.
Wilkie Collins
|
25.Arthur
Conan Doyle |
26.George
Meredith |
27.George
Eliot |
28.Arnold Bennett |
29.Robert Bridges |
30.Rupert Brooke |
31. G. K. Chesterton |
32.Joseph Conrad |
33.John Galsworthy |
34.A.E. Housman |
35. Lewis Carroll |
36.George Bernard Shaw |
37.H.G. Welles |
38.William Butler Yeats |
39.World War One writers |
40. George Gissing |
41.John Buchan |
42.Algernon Swinburne |
43. G.M. Hopkins |
44.Arthur Pinero |
45.Elizabeth Gaskell |
46. W.M. Thackeray |
47.Coventry Patmore |
48.Anthony Trollope |
49.Rider Haggard |
50.Charles Lyell |
51.Edward Fitzgerald |
52.Thomas Macaulay |
53. Walter Savage Landor |
54. Edward Bulwer-Lytton |
2. These literary and cultural
terms:
1.Serialization |
2.Aestheticism |
3.Wessex |
4.Decadence |
5.Oxford Movement |
6.Agnosticism |
7.Evangelicals |
8.Higher Criticism |
9.Writer as Sage |
10.Utilitarianism |
11.High Seriousness |
12. Social Darwinism |
13. Edwardian/Georgian |
14.Liberalism |
15.Great Exhibition 1851 |
16.Chartism |
17. Great Reform Bill |
18.Crimean War |
19.Pre-Raphaelites |
20.Yellow Nineties |
21.Philistines |
22.Suffragettes |
23.Muscular Christianity |
24. Man of Letters |
PERIOD THREE: MODERNISM (1914‑1945)
What students should learn during the study of this period:
1. These authors and their major
works:
1.W.H. Auden |
2.Samuel Beckett |
3.T.S. Eliot |
4.Ted Hughes |
5.James Joyce |
6.Philip Larkin |
7.Ezra Pound |
8.Dylan Thomas |
9.Robert Graves |
10.D. H. Lawrence |
11.Wyndham Lewis |
12.George Orwell |
13.Edith Sitwell |
14.Stephen Spender |
15.Tom Stoppard |
16.J.M. Synge |
17.J.R.R. Tolkien |
18.Derek Walcott |
19.Evelyn Waugh |
|
|
2.
These literary and cultural terms:
1.Bolshevism |
2.Cubism |
3.Fascism |
4.Marxism |
5.Psychoanalysis |
6.Dadaism |
7.Formalism |
8.Free Vesre |
9.Futurism |
10.Minimalism |
11.Relativism |
12.Stream of Consciousness |
13.Structuralism |
14.Surrealism |
|
TENTATIVE
OUTLINE OF COURSE WORK: CHECK BB CALENDAR
FOR
CURRENT/UP-TO-DATE SCHEDULE
WEEKS 1-4: PERIOD ONE: ROMANTICISM
(1789-1832)
Week 1---Aug 28: Introduction to
Course. Assessment test (no grade).
Week 2---Sept 4: Older Romantics
Week 3---Sept 11: Younger Romantics
Week 4---Sept 18: Other Romantics
WEEKs 5-11: PERIOD TWO: VICTORIANISM
(1832-1914)
Week 5—Sept 25: TEST 1. Then Introduction to Victorianism
Week 6---Oct 2: Library Work
Week 7---Oct 9: Victorians, pt 1.
Week 8---Oct 16: Victorians. contd.
Week 9---Oct 23: Victorians, contd.
Week 10---Oct 30: Finish Victorians.
Week 11---Nov 6: Edwardians and
Georgians
WEEKS 12-16: PERIOD THREE: MODER
Week 12---Nov 13: TEST 2. Major
Early Modernists: Bloomsbury, Eliot, Joyce. Essays and Extra Credit due.
Week 13---Nov 20: Major Early
Modernists: Bloomsbury, Eliot, Joyce.
Week 14---Nov. 27: Major Later
Modernists: Auden, Thomas. Week 15---April 26: Test 3. Review for Final Exam
Week 16---Dec 3: TEST 3. Conclusion.
Week 17---Final Exam
VI. Student Learning Outcomes and
Instructional Goals for Sophomore English Courses
A. State/Institutional Goals: Texas Higher Education Coordinating Board
(THECB) Exemplary Objectives for Humanities and Performing Arts:
1. To demonstrate awareness of the scope and
variety of works in the arts and humanities.
2. To understand those works as expressions of
individual and human values within an historical and social context.
3.
To respond critically to works in the
arts and humanities.
4. To engage in the creative process or
interpretive performance and comprehend the physical and intellectual demands
required of the author or visual or performing artist.
5. To articulate an informed personal reaction to
works in the arts and humanities.
6.
To develop an appreciation for the
aesthetic principles that guide or govern the humanities and arts.
7.
To demonstrate knowledge of the influence
of literature, philosophy, and/or the arts on intercultural experiences.
B.
Departmental Goals: Student Learning
Outcomes for English (SLO’s)
SLO
1—Students will be able to interpret and analyze a text using different
approaches from literary, rhetorical and/or linguistic theories.
SLO
2—Students in certification tracks will demonstrate knowledge and skills in the
areas of writing, literature, reading, oral communication, media literacy, and
English language arts pedagogy.
SLO 3—Recent graduates who majored
in English will demonstrate satisfaction with the programs in the English
Department.
SLO 4---Students will be able to use
discipline-appropriate technology applications (such as library databases,
computer applications, Internet research, non-print media, multi-media
applications, desktop publishing, WebCT, course-based electronic communication,
etc.) in preparation and presentation of course projects.
C. English Department Goals for
Sophomore English:
In sophomore literature courses,
students will
1.
amplify reading, writing, and critical thinking skills
developed in English 1301 and 1302.
(THECB 3; SLO 1,2,3,4)
2.
understand and appreciate great writers and great works in
imaginative literature in a variety of literary genres and literary
periods. (THECB 1; SLO 1, 2, 3, 4)
3.
understand the basic principles of literary language and analysis (THECB 4, 6;
SLO 1, 2, 3, 4)
4.
understand that literary study may be directed by a variety
of analytical approaches, including but not limited to historical,
psychological, biographical, social, and feminist approaches; (THECB 2, 5, 7; SLO 1, 3, 4)
5.
understand the influence of literature on intercultural
understanding and on appreciation of the individual’s culture (THECB 7; SLO 1,
3, 4)
6.
develop an aesthetic appreciation of literature (THECB 5, 6;
SLO 1, 2, 3, 4)
D. Instructor’s Course Objectives:
1. To give the student a general
sense of a culture that serves as the basis for many American institutions.
(THECB 1, 2, 5, 7; SLO 1, 3, 4)
2. To introduce students to a wide
variety of authors and works, the knowledge of which will aid the student in
becoming "culturally literate." Cultural literacy--and the lack of
it--can impact the student politically, personally, socially, and economically.
(CB 1, 2, 5, 7; SLO 1, 3, 4)
3. To introduce to students literary
techniques and devices that characterize not only English literature but
literature from almost any culture. (CB 1, 2, 3, 5, 7; SLO 1, 2, 3, 4)
4.
To enhance students' writing skills. (THECB 3, 4, 5; SLO 1, 2, 3, 4)
5. To encourage students to think
about their own culture by seeing it in relation to the authors, works, and
history examined in this class. (THECB 1, 2, 5, 7; SLO 1, 3, 4)
6. Prepare students to analyze
in-depth works of literature. (THECB 3, 4; SLO 1, 2, 3, 4)