ENGLISH 2341.13

Introduction to Literature

FALL 2017

Instructor: Dr. Clay Daniel; ELABS 233; e‑mail: clay.daniel@utrgv.edu

Internet cite: faculty.utrgv.edu/clay.daniel

Tel.: 665-3421. Use email to communicate with me. If you must use phone, leave message with secretaries

Time: T 7:20-9:50 Office Hours: 6:15-7:20PM T and T; 10:00-10:30PM, TWR; and by apptmnt.

I.Course Description:

A.UTRGV Catalog Description. An introduction to literary genres, with special emphasis on the short story, novel or novella, drama and poetry. Requires careful reading and the writing of critical essays about individual works. 3.000 Credit hours

3.000 Lecture hours Levels: Undergraduate Schedule Types: Lecture Literature & Cultural Studies Department Course Attributes:

Core Lang, Phil & Cltr-040

II. Course Policies: All course policies are subject to change to accord with university policies.

1.Attendance: Attendance is flexible. But you should be sure to attend for major exams.

2. Make‑up work: Make-up quizzes are available through Blackboard. You can make up one missed major exam. The make‑up tests will be given after the final exam.

3. You can provide suggestions or questions to me throughout the semester in person, during conferences, or by using anonymous comments through Blackboard/Class Forum.

4. Be aware of current university policies on drops and changes-of-grade. Be particularly aware that you are responsible for having the course dropped by the appropriate date.

6.Post-Course Policy: The material taught in this course is covered by a kind of informal "warranty." If you pass this course with a "C" or better, please feel to ask me any questions---throughout your academic career---on any material covered in this course---especially material whose lack of understanding interferes with your doing well in other classes.

7. University policies concerning cheating/plagiarism will be enforced. These penalties are severe, and you should be aware of them:

CODE OF ACADEMIC INTEGRITY

v The first confirmed violation of academic dishonesty (as defined in HOP section 5.5.2) by an undergraduate student will result in the following action:

Ø The recommended penalty will be an F for the course and completion of an educational program on academic integrity. If the matter is taken to a hearing officer, the academic penalty imposed will consider any recommendation of the faculty member involved.

Ø The student will be informed that a second violation may result in suspension or expulsion.

Ø A copy of the sanction letter will be forwarded to the student’s academic chair.

v The second confirmed violation of academic integrity by an undergraduate student (or first by a graduate student) will result in the following action:

Ø The recommended penalty will be an F for the course and suspension or expulsion. If the matter is taken to a hearing officer, the academic penalty imposed will take into consideration any recommendation of the faculty member involved.

Ø If expelled, the student’s transcript will contain the notation, “Expelled for Academic Misconduct,” along with the applicable date.

Ø A copy of the sanction letter will be sent to appropriate academic officials.

Also be aware of “the Honor Code: As members of a community dedicated to honesty, integrity, and mutual respect in all interactions and relationships the students, faculty and administration of our university pledge to abide by the principles in The . . . Honor Code.”

8. Students with disabilities are encouraged to contact the Disability Services office for a confidential discussion of their individual needs for academic accommodation. It is the policy of the University . . . to provide flexible and individualized accommodation to students with documented disabilities that may affect their ability to fully participate in course activities or to meet course requirements.

9. Avoid phone calls. Email me. If you must call (not a good idea), leave message with English Dept. (956-665-3421)

10. If you email me, either with questions or material, expect an answer within 48 hrs., except on weekends. If I don’t respond, I didn’t receive it. Try again, or, if you emailed me material, do both of the following: submit one copy of the material to the English Department (ask them to place it in my mailbox). Get a receipt from the person to whom you submitted it. Also slip a copy under my door.

11. Often the class, at the beginning of the semester, changes to a different classroom. Since it takes time officially to process this change, the change might not appear on the Assist system. If you can’t find the classroom (students almost always have), contact me (or the English Department).

Finally, “The new university policy requires all email communication between the University and students be conducted through the students' official University supplied . . . account. Therefore, please use your . . . assigned BroncMail for any future correspondence with UTPA faculty and staff”.

III. These works are available in the library or on the internet. You can also use your own editions. However, here are the texts that I will use.

A. Sophocles, Oedipus Rex (Norton Critical Edition)

B. Christopher Marlowe, Doctor Faustus (Signet edition)

C. William Shakespeare, Richard III (Signet edition)

D.William Shakespeare, Measure for Measure (Signet edition)

E. The Great Gatsby (Scribner's)

IV. Course Requirements: Your grade will be determined as follows:

A) Essay: 10%

B) 3 Quizzes: 10%: (for make-up quizzes, locate and complete an internet quiz for 1) one of the plays for Quiz 1; any poem for Quiz 2; Great Gatsby or Bartleby or Major Molineux for Quiz 3.

C) 4 major tests: 20% each, including comprehensive final exam.

V. WHAT YOU SHOULD LEARN FOR EACH SECTION

SECTION ONE: DRAMA

Alliteration

Allusion

Analogy

Assonance

Blank Verse

Conceit

Connotation

Couplet

Denotation

Dramatic Monologue

Epic

Epithet

Euphemism

Figure of speech

Free Verse

Iambic pentameter

Imagery

In media res

Lyric

Metaphor

Meter

Motif

Oxymoron

Paradox

Parody

Persona

Poetry

Rhyme

Rhythm

Simile

Sonnet

Stanza

Tone

Verse

antagonist

allegory

anti-hero

character

characterization climax

litcrit

denouement

dialogue

epistolary novel

essay

foreshadow

genre

monologue

myth

narration

narrator

naturalism (and the novel)

novel

novella

picaresque novel

plot

prose

protagonist

realism (and the novel)

rising action

romance

Romantic Novel

Sentimental Novel

satire

setting

short story

stream of consiousness

surrealism

symbol

symbolism

Theme

Victorian Novel

VI. TENTATIVE OUTLINE COURSE WORK: ENGLISH 2341: CHECH BB CALENDAR TO KEEP UP-TO-DATE.

SECTION ONE: DRAMA

Week 1- Aug 29: Introduction to course

Week 2-Sept 5: Greek Tragedy: Oedipus Rex

Week 3-Sept 12: Elizabethan Tragedy: Faustus;

Week 4-Sept 19: Elizabethan Comedy: Shakespeare's Measure for Measure; review some other major dramatists (Moliere, Racine, Ibsen, Chekhov, Shaw, and some contemporary dramatists).

Week 5-Sept 26: Exam 1

SECTION TWO: POETRY

Week 6-Oct 3: Epic poetry. We’ll discuss any epic you would like to discuss.

Week 7-Oct 10---Renaissance/16^th Century: Shakespeare's sonnets; Renaissance/17^th Century: Donne's sonnet "Batter My Heart"; Milton's pastoral Lycidas

Week 9-Oct 17: Restoration/18^th Century (1660-ca. 1800): Excerpt from Alexander Pope's Essay on Criticism 19^th Century/Romantic (ca. 1800-1832): John Keats' "Ode to a Nightingale" Wordsworth’s Immortality Ode

Week 10-Oct 24: 19^th Century/Victorianism (ca. 1832-1914): Selections TBA

20^th Century/Modernism (ca. 1914-1945): Eliot's Love Song of J Alfred Prufrock; Dylan Thomas's Fern Hill and “Poem on his Birthday”; Wallace Stevens' “Ideas of Order at Key West” and “The Snow Man”; William Carlos Williams “This is Just to Say” and “The Lonely Street”; W. H. Auden’s “Lullaby.”

20^th Century/Post-Modernism (ca. 1945-Present): Class selects poems to be studied.

SECTION THREE: SHORT STORY AND NOVEL

Week 11-Oct. 31: Test 2. "My Kinsman Major Molineux," “Bartleby the Scrivener”

Week 12-Nov 7: The Novel: Background

Week 13-Nov 14: The Great Gatsby, ESSAY DUE. ALL EXTRA CREDIT DUE

Week 14-Nov 21: The Great Gatsby, contd.

Week-15-Nov 28: The Novel

Week 16-Dec 5: Test 3 Course Conclusion

Week 17-Final Exam

VII. Student Learning Outcomes and Instructional Goals for Sophomore English Courses

A. State/Institutional Goals: Texas Higher Education Coordinating Board (THECB) Exemplary Objectives for Humanities and Performing Arts:

1. To demonstrate awareness of the scope and variety of works in the arts and humanities.

2. To understand those works as expressions of individual and human values within an historical and social context.

3. To respond critically to works in the arts and humanities.

4. To engage in the creative process or interpretive performance and comprehend the physical and intellectual demands required of the author or visual or performing artist.

5. To articulate an informed personal reaction to works in the arts and humanities.

6. To develop an appreciation for the aesthetic principles that guide or govern the humanities and arts.

7. To demonstrate knowledge of the influence of literature, philosophy, and/or the arts on intercultural experiences.

B. Departmental Goals: Student Learning Outcomes for English (SLO’s)

SLO 1—Students will be able to interpret and analyze a text using different approaches from literary, rhetorical and/or linguistic theories.

SLO 2—Students in certification tracks will demonstrate knowledge and skills in the areas of writing, literature, reading, oral communication, media literacy, and English language arts pedagogy.

SLO 3—Recent graduates who majored in English will demonstrate satisfaction with the programs in the English Department.

SLO 4---Students will be able to use discipline-appropriate technology applications (such as library databases, computer applications, Internet research, non-print media, multi-media applications, desktop publishing, WebCT, course-based electronic communication, etc.) in preparation and presentation of course projects.

C. English Department Goals for Sophomore English:

In sophomore literature courses, students will

1. amplify reading, writing, and critical thinking skills developed in English 1301 and 1302. (THECB 3; SLO 1,2,3,4)

2. understand and appreciate great writers and great works in imaginative literature in a variety of literary genres and literary periods. (THECB 1; SLO 1, 2, 3, 4)

3. understand the basic principles of literary language and analysis (THECB 4, 6; SLO 1, 2, 3, 4)

4. understand that literary study may be directed by a variety of analytical approaches, including but not limited to historical, psychological, biographical, social, and feminist approaches; (THECB 2, 5, 7; SLO 1, 3, 4)

5. understand the influence of literature on intercultural understanding and on appreciation of the individual’s culture (THECB 7; SLO 1, 3, 4)

6. develop an aesthetic appreciation of literature (THECB 5, 6; SLO 1, 2, 3, 4)

D. Instructor’s Course Objectives:

1. To introduce students to literary studies and the specialized terminology of these studies (THECB 1, 2, 3, 5, 7; SLO 1, 2, 3)

2. To develop critical thinking and critical reading skills (THECB 3, 4; SLO 1, 2, 3)

3. to develop students’ ability to analyze texts, generalize, and think abstractly (THECB 4, 5; SLO 1, 2, 3)

4. To further improve writing competencies acquired in English 1301 and 1302 (THECB 3, 4, 5; SLO 1, 2, 3)