ENGLISH 2300.20
Spring 2013
Instructor: Dr. Clay Daniel; COAS 233; e‑mail daniel@utpa.edu;
Internet cite: www.utpa.edu/faculty/daniel
Tel.: 665-3421. Use email to communicate with me. If
you must use phone, leave message with secretaries
Time: R
7:10-9:55 Place: TBA
Office Hours: TBA
I.Course Description:
A.UTPA Catalog Description. ENG 2300 Introduction to Literature [3-0] as scheduled. An
introduction to literary genres, with special emphasis on the short story,
novel or novella, drama and poetry. Requires careful
reading and the writing of critical essays about individual works.
Prerequisite: Minimum grade of “C” in six hours of required freshman English.
B.Instructor’s Description. A basis for this class is a list of literary
terms that could appear on the ExCET/TeXeS exam. Most of these terms would be taught in any
Introduction to Literature course; I include them in this course in order to
provide special help for students who intend to become teachers. We will also
cover other terms, as well as genres and literary terms.
II. Course Policies: All course policies are subject
to change to accord with university policies.
1.Attendance: Attendance is flexible.
But you should be sure to attend for major exams.
2. You can provide suggestions or questions to me
throughout the semester in person, during conferences, or by using the feedback
form, which you can slip under my office door. You can also post anonymous
comments through Blackboard/Class Forum.
3. Try to avoid sitting in the row closest to the
door. This is reserved for late students.
4. Be aware of current
university policies on drops and changes-of-grade. Be particularly aware that
you are responsible for having the course dropped by the appropriate date.
Contact me via email to arrange for my signature at least a week before the
drop date. Do not wait until the last couple of days: I could be out of the
office/absent.
5.Post-Course Policy: The material
taught in this course is covered by a kind of informal "warranty." If
you pass this course with a "C" or better, please feel to ask me any
questions---throughout your academic career---on any material covered in this
course---especially material whose lack of understanding interferes with your
doing well in other classes.
6. University policies concerning
cheating/plagiarism will be enforced. These penalties are severe, and you
should be aware of them:
CODE OF ACADEMIC INTEGRITY
v
The first confirmed violation of academic dishonesty (as defined in HOP
section 5.5.2) by an undergraduate student will result in the following action:
Ø The recommended penalty will
be an F for the course and completion of an educational program on academic
integrity. If the matter is taken to a
hearing officer, the academic penalty imposed will consider any recommendation
of the faculty member involved.
Ø The student will be informed
that a second violation may result in suspension or expulsion.
Ø A copy of the sanction
letter will be forwarded to the student’s academic chair.
v
The second confirmed violation of academic integrity by an
undergraduate student (or first by a graduate student) will result in the
following action:
Ø The recommended penalty will
be an F for the course and suspension or expulsion. If the matter is taken to a hearing officer,
the academic penalty imposed will take into consideration any recommendation of
the faculty member involved.
Ø If expelled, the student’s
transcript will contain the notation, “Expelled for Academic Misconduct,” along
with the applicable date.
Ø A copy of the sanction
letter will be sent to appropriate academic officials.
Also be aware of “the Bronc
Honor Code: As members of a
community dedicated to honesty, integrity, and mutual respect in all
interactions and relationships the students, faculty and administration of our
university pledge to abide by the principles in The Bronc
Honor Code.”
8. Students with disabilities
are encouraged to contact the Disability Services office for a confidential
discussion of their individual needs for academic accommodation. It is the
policy of the University of Texas-Pan American to provide flexible and
individualized accommodation to students with documented disabilities that may
affect their ability to fully participate in course activities or to meet
course requirements. To receive accommodation services, students must be
registered with the Disability Services office (DS), University Center #108,
665-7005 or disabilityservices@utpa.edu.
9.
Avoid phone calls. Email me. If you must call (not a good idea), leave message
with English Dept. (956-665-3421)
10. If you email me, either with questions or
material, expect an answer within 48 hrs., except on
weekends. If I don’t respond, I didn’t receive it. Try again, or, if you
emailed me material, do both of the following: submit one copy of the material
to the English Department (ask them to place it in my mailbox). Get a receipt
from the person to whom you submitted it. Also slip a copy under my door.
11. Often the class, at the beginning of the
semester, changes to a different classroom. Since it takes time officially to
process this change, the change might not appear on the Assist system. If you
can’t find the classroom (students almost always have), contact me (or the
English Department).
Finally, “The
new university policy requires all email communication between the University
and students be conducted through the students' official University
supplied BroncMail account. Therefore, please
use your UTPA assigned BroncMail for any
future correspondence with UTPA faculty and staff”.
III. Texts: Many of these works are available in the
library or on the internet. You can also use your own editions. However, here
are the texts that I will use and that I've ordered:
A. Sophocles, Oedipus Rex (Norton Critical Edition)
B. Christopher Marlowe, Doctor Faustus (Signet edition)
C. William Shakespeare, Richard III (Signet edition)
D.William Shakespeare, Measure for Measure (Signet edition)
E.
The Great Gatsby (Scribner's)
F.
Penguin Dictionary of Literary Terms
IV. Course Requirements: Your grade will be
determined as follows:
A) Essay: 10%
B) 3 major
tests: 30% each
SECTION ONE: DRAMA
Sophocles' Oedipus
and Marlowe's Doctor Faustus:
Antagonist
Anthropomorphism
Catharsis
Classical Unities
Climax
Conflict
Comedy
Drama
Hamartia
Hubris
Irony
Plot
Scene
Theme
Tragedy
(Tragic) Protagonist
Tragic Reversal
Shakespeare's Richard
III and Measure for Measure
Apostrophe
Archetype
Aside
Blank verse
Canon
Gothic
Hyperbole
Paradox
Parallelism
Personification
Soliloquy
We will
also cover Critical Perspectives during this period: (terms) New
Criticism/Formalism, Deconstruction, Historical Criticism, Ideological
Criticism, Psychological Criticism (Psychoanalytic and Analytic), Mythological/Archetypal Criticism.
SECTION
TWO: POETRY
Alliteration
Allusion
Analogy
Assonance
Conceit
Connotation
Couplet
Denotation
Dramatic Monologue
Epic
Epithet
Euphemism
Figure
of speech
Free
Verse
Imagery
In
media res
Lyric
Metaphor
Meter
Motif
Oxymoron
Parody
Persona
Poetry
Rhyme
Rhythm
Simile
Sonnet
Stanza
Tone
Verse
Voice
SECTION
THREE: SHORT STORY AND NOVEL
Hawthorne's
"My Kinsman Major Molineux," Melville's
"Bartleby the Scrivener"and Fitzgerald's The Great Gatsby
antagonist
allegory
anti-hero
character
characterization climax
litcrit
denouement
dialogue
epistolary novel
essay
foreshadow
genre
monologue
myth
narration
narrator
naturalism (and the novel)
novel
novella
picaresque novel
plot
prose
protagonist
realism (and the novel)
rising action
romance
Romantic
Novel
Sentimental
Novel
satire
setting
short story
stream of consiousness
surrealism
symbol
symbolism
Theme
Victorian
Novel
VI. Student Learning
Outcomes and Instructional Goals for Sophomore English Courses
A. State/Institutional
Goals: Texas Higher Education
Coordinating Board (THECB) Exemplary Objectives for Humanities and Performing
Arts:
1. To demonstrate awareness of the
scope and variety of works in the arts and humanities.
2. To understand those works as
expressions of individual and human values within an historical and social
context.
3. To respond
critically to works in the arts and humanities.
4. To engage in the creative process or interpretive performance and
comprehend the physical and intellectual demands required of the author or
visual or performing artist.
5. To articulate an informed personal reaction to works in
the arts and humanities.
6. To develop an
appreciation for the aesthetic principles that guide or govern the humanities
and arts.
7. To demonstrate
knowledge of the influence of literature, philosophy, and/or the arts on
intercultural experiences.
B. Departmental Goals: Student Learning Outcomes for English (SLO’s)
SLO 1—Students will be able to interpret and analyze
a text using different approaches from literary, rhetorical and/or linguistic
theories.
SLO 2—Students in certification tracks will
demonstrate knowledge and skills in the areas of writing, literature, reading,
oral communication, media literacy, and English language arts pedagogy.
SLO 3—Recent
graduates who majored in English will demonstrate satisfaction with the
programs in the English Department.
SLO
4---Students will be able to use discipline-appropriate technology applications
(such as library databases, computer applications, Internet research, non-print
media, multi-media applications, desktop publishing, WebCT, course-based
electronic communication, etc.) in preparation and presentation of course
projects.
C. English Department Goals
for Sophomore English:
In sophomore literature courses, students will
1. amplify reading, writing, and
critical thinking skills developed in English 1301 and 1302. (THECB 3; SLO 1,2,3,4)
2.
understand and appreciate great writers and great works in
imaginative literature in a variety of literary genres and literary
periods. (THECB 1; SLO 1, 2, 3, 4)
3.
understand the basic principles of literary language and analysis (THECB 4, 6; SLO 1, 2, 3, 4)
4.
understand that literary study may be directed by a variety of
analytical approaches, including but not limited to historical, psychological,
biographical, social, and feminist approaches;
(THECB 2, 5, 7; SLO 1, 3, 4)
5.
understand the influence of literature on intercultural understanding
and on appreciation of the individual’s culture (THECB 7; SLO 1, 3, 4)
6.
develop an aesthetic appreciation of literature (THECB 5, 6; SLO 1, 2,
3, 4)
D.
Instructor’s Course Objectives:
1.
To introduce students to literary studies and the specialized terminology of
these studies (THECB 1, 2, 3, 5, 7; SLO 1, 2, 3)
2.
To develop critical thinking and critical reading skills (THECB 3, 4; SLO 1, 2,
3)
3.
to develop students’ ability to analyze texts,
generalize, and think abstractly (THECB 4, 5; SLO 1, 2, 3)
4.
To further improve writing competencies acquired in English 1301 and 1302
(THECB 3, 4, 5; SLO
1, 2, 3)
VII. TENTATIVE OUTLINE OF COURSE WORK: We
will not follow this outline exactly. To know what we will do on a class day,
check Announcements in BBLearn.
SECTION ONE: DRAMA
Week 1- Jan 17: Introduction to course; assessment
test.
Week 2-Jan 24: Greek Tragedy: Oedipus Rex
Week 4-Jan 31: Elizabethan Tragedy: Faustus;
Week 5-Feb 7: Elizabethan History Play: Shakespeare’s Richard III
Week 6-Feb 14: Elizabethan Comedy: Shakespeare's Measure for Measure; review some other
major dramatists (Moliere, Racine, Ibsen, Chekhov, Shaw, and some contemporary
dramatists).
Week 7-Feb 21: Exam 1; Begin poetry. We will also
discuss any poem that a student would like to discuss.
Week 8-Feb 28: Essay Instruction
Week 9-March 4---Renaissance/16th
Century: Shakespeare's sonnets
Renaissance/17th Century: Donne's sonnet "Batter
My Heart"; Milton's sonnet "When I Consider How My Light Is
Spent"; Milton's pastoral Lycidas; Milton's epic Paradise
Lost
MARCH 11: SPRING BREAK
Week 10-March 18: Restoration/18th
Century (1660-ca. 1800): Excerpt from Alexander Pope's Essay on Criticism 19th Century/Romantic (ca.
1800-1832): John Keats' "Ode to a Nightingale" ESSAY ROUGH DRAFT DUE
Week 11-March 25: 19th
Century/Victorianism (ca. 1832-1914): Selections from Browning
20th Century/Modernism (ca. 1914-1945): Eliot's Love Song of J Alfred Prufrock;
Dylan Thomas's Fern Hill; Wallace
Stevens's Sunday Morning 20th
Century/Post-Modernism (ca. 1945-Present): Class selects poems to be
studied.
SECTION THREE: SHORT STORY AND NOVEL
Week 12-April 4: Test 2. "My Kinsman Major Molineux," “Bartleby the Scrivener”
Week 13-April 11: The Great Gatsby
Week 14-April 18: The Great Gatsby
Week 15-April 25: Review of the Novel; Course
Conclusion
Week 16: Final Exam